Blog posts tagged with 'guatemala'

We weave in and out of traffic. Stories are experiences woven together. Long hair, baskets, and dough are braided. Knitting and crocheting are basically weaving with yarns.

But when we speak about weaving here, it's in the context of textiles, the interlacing of fibrous threads to create fabric. Every piece of clothing on your body is woven fabric. The sheets you sleep on, bath towels and dishtowels, rugs, curtains, table linens. Living as we do in the modern age, most of us are oblivious to the intricate processes involved in manufacturing the items we daily use and enjoy.

Fabric is one such article commonly utilized and taken for granted.

Imagine yourself in 6000 BC, in need of a blanket or shirt. After planting and harvesting, you spin natural fibers like cotton or flax into threads. Or you twist sheared sheep wool or manipulate silkworms to obtain yarn. If you are feeling creative, you dye some of the threads with plant or insect extracts in order to incorporate a design in the weaving. For the next few days or weeks, you patiently insert the transverse weft yarn over and under the tightly stretched lengthwise warp yarn. Back and forth. Painstakingly slow. Mesmerizingly meditative.

Due to the use of fragile organic materials, we have no samples of these early woven pieces, as we do of ancient pottery shards. Tombs in Egypt unveiled fragments of woven textile, preserved in the dry climate of the sandy desert, as well as a 5000-year-old terracotta plate depicting women weaving on a vertical loom.

The basic need for cover meant that a loom featured prominently in households everywhere, and the skill was passed on to each new generation. As an art form woven pieces also communicated cultural values, traditions, and personal emblems. The care, skill, and time it took to create a weaving enhanced its value, affording extra income or means of trade. Weaving remained the unique product of time-consuming manual operation for centuries.

Similar to what happened with most “cottage industries” during the Industrial Revolution, the demand for mass production required the mechanization of looms. Thus, in 1786, the first power loom was introduced. This machine enabled a faster weaving process and larger output but came with certain limitations. One important feature, the weaving of complicated designs and textured fabric, remained a manual operation.

Until

Several decades later, French entrepreneur JM Jacquard, built an attachment to the loom that used interchangeable perforated cards to guide the warp threads automatically. A desired pattern could be woven by simply changing the cards, effectively automatizing even complex weaving.

An English inventor, Charles Babbage, adopted the idea of punch cards in 1837 to store programs in his “Analytical Engine”, a proposed general-purpose computer. Mathematician Ada Lovelace recognized the symbol-manipulating potential of Babbage’s computational machine. "We may say most aptly that the Analytical Engine weaves algebraic patterns just as the Jacquard-loom weaves flowers and leaves," she noted. Before the same century ended, an American inventor designed a tabulating machine to input data for the 1890 US Census. Punch cards were used in digital computing for close to another 100 years until electronic devices replaced them.

Mayan weaving

While punch cards and antique looms populate museum exhibits in fast-paced modern societies, manual weaving is still widely practiced as it has been for millennia in many cultures. In these places, everyday garments and house linens are still exclusively made with fabric woven on traditional looms.

The rhythmic sound of the wooden treadle
The muted thud of reed against breast beam
The soft claps of hands shaping tortillas
The daily symphony in a Mayan household.

As part of their traditional outfit, the Mayan women of Guatemala wear a skirt known as a “corte”. It is similar to a wrap-around skirt, except three times as much fabric is involved. It is generally the work of men to weave the 7-meter-long piece on bulky treadle looms. In dressing, the women wrap the fabric around, around, and around the lower half of the body and secure it with a decorative girdle. The final ensemble resembles a long, straight pencil skirt, which you can imagine being very restrictive. Till you encounter the same women in traditional dress on a steep mountain trail: sure-footed, graceful, and confident like a mountain goat!

The quality of these woven skirts is undeniable. Even used and discarded pieces are highly valued and repurposed. If you think of the hours that went into handwoven textiles, prolonging their lifespan in every possible format is a way to honor the ancient craft of weaving.

Here are some of our unique re-creations of Mayan "corte":

Sustainable Corte overalls  Buy here

Explorer bag from repurposed corte  Buy here

Corte turned Tourist Bag!  Buy here

Keep up with what “looms ahead” in the textile world.

More on the history of weaving: https://www.artemorbida.com/brief-history-of-weaving/?lang=en

To see the fascinating connection between weaving and algorithms: https://bricklayer.org/weaving/

The artist Ahree Lee, in an exhibit called Pattern:Code, connects the history of women in crafts to their role in computing. Worth a look here: https://www.fastcompany.com/90425067/weaving-coding-and-the-secret-history-of-womens-work

A holiday means you can sleep in today. Or not.

Ear-shattering machine-gun-like percussion jerks you from slumber before the day breaks. Incessant whistle blows, and cheering over a megaphone follows. Torch-runners arrive in the village after running all night. The annual celebration of Guatemala’s independence from Spain is in full swing.

Across the Atlantic in West Africa, the national flag flies high on March 6th as our Ghanaian friends tune their trumpets and guitars in preparation for the parades and carnival to commemorate their country’s freedom, the first sub-Saharan nation to gain independence (1957). The family gathers to enjoy traditional food like waakye (rice & beans) and kenkey (sourdough dumplings).

And if you happen to wake up in Thailand on December 5th, a gentle prayer ceremony followed by renditions of the national anthem announces their independence festivities. The rest of the day is loud with flamboyant and ostentatious pageantry.

And what of fireworks? A standard crowd-pleaser everywhere in the world, no expense is spared to light up the sky when celebrating freedom. (They say the first fireworks were bamboo stalks that the Chinese threw in the fire, which exploded loudly as the hollow air pockets heated up.)

“Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore.” So Emma Lazarus’ words ring out over the Hudson.

What is this yearning? Do you recognize it? What would you give up for it?

INDEPENDENCE literally means “not hanging from.” The idea invokes sentiments of self-reliance, self-sufficiency, and autonomy. Liberty.

(Pendere is the root meaning to weigh, estimate, or pay, from which we get words like pendant, pending, and appendage.)

A strong desire for freedom is evident in all of us from a young age. Have you ever observed toddlers testing the boundaries and exerting their will forcefully as soon as they can sit up? A reach for self-determination seems wired into our DNA. And, especially in America, this freedom is highly valued and encouraged.

The reality, though, for countless individuals worldwide, is quite the opposite. Economic and political restraints leave them “hanging” year after year. Dependence on handouts leaves people stuck in suffocating patterns. Their self-determination weakens, and their creativity suffers.

“For everything that is really great and inspiring is created by the individual who can labor in freedom.” (Albert Einstein)

That is why the stories of the artisans with whom Unique Batik does business are worth celebrating. They have reached beyond their grasp, attaining levels of financial independence that were unimaginable to their parents. This achievement is especially significant where women entrepreneurs succeed in places where their contributions have been strictly limited traditionally. Read about Diego, Carmelita, and Luisa.

We watch them emerge as rulers, as per their original design.

It was a woman who created the first Star-Spangled Banner. Mary Pickersgill took up flag-making when she became a widow at a young age. Her business eventually supported a household of women whom she trained as seamstresses.

It is important to note that these artists-heroes didn’t drift into freedom. Similarly, our treasured American rights would have remained a hollow dream if it wasn’t for the risks and sacrifices of individuals and communities. By disciplined choices, sustained efforts, and stubborn endurance, they were able to create a fulfilling life for themselves and their families. Epictetus, an ancient Greek philosopher, claimed,

“No man is free who is not master of himself.”

Furthermore, to gain freedom, reliance on multiple networks and the community is paramount. In other words, independence is not individualism.

Which fact connects you, the customer, in a beautiful symbiosis with the families of artists around the globe.

The words in the Declaration of Independence adopted by the Continental Congress on July 4th, 1776, which takes 18 minutes to read, were a bold line in the sand. A unanimous decision to stand against what the colonists perceived and experienced as oppression and tyranny. They did it TOGETHER, fully informed of the RISKS.

So, on this day, savor every free breath you take and tip your hat to our celebrated heroes, past and present. Then, consider your inalienable right to life, liberty, and the pursuit of happiness – yours and your neighbors. And vote with your feet.

Freedom
Freedom is never free.
Respect our liberty.
Enjoy its many rights.
Expect it may cause fights.
Democracy survives,
Only if backed with lives.
May we not let it die.
(Bartholomew Williams)

Ubiquitous and radiant, birds are true wildlife anyone can observe without flying to remote jungles. Since their presence is so commonplace, it is easy to be unaware of their magic. Yet they have the potential to mesmerize anyone sitting still long enough.

Stop and marvel

I only started paying attention when I lived on a forested hill in Guatemala in my forties. (Guatemala boasts more than 700 bird species.) Trills and choruses, flashes of vibrant colors, and leafy branches alive with feasting flocks were a compelling distraction right outside my windows. My curiosity was piqued. I wanted to know their names, to get closer looks through binoculars, and to keep a journal of my “sightings.” Fortunately, I knew the phone number of a phenomenal local guide, who graciously helped me with the correct identifications. Few moments in my life match the breathless awe I experienced the first time I saw the elusive Resplendent Quetzal in an impressive courting display on the slopes of the Atitlan volcano. Spiraling and plunging with his long tail feathers rippling like ribbons: the sight brought me to tears!

Find out more about Guatemala's national bird, including audio of its distinct call here.

Plumage

This is what distinguishes birds from other vertebrates. Feathers are fundamental to many aspects of a bird’s life. They function as insulation, aerodynamic power for flying, communication, as well as camouflage. 

Their colorful feathers are what inspire the women of Guatemala to embroider their blouses with bird images.

The town of Santiago Atitlan’s original Mayan name is Tz’Kin Jay, House of the Birds. It follows then that the characteristic patterns on traditional textiles here are of birds. Long ago geometric designs of herons, ducks, two-headed eagles, people, and corn plants were popular.

Over time, their embroidery developed to include finer details of birds. These days women tend to pay more attention to their surroundings when they pick coffee in the mountains, especially noticing the rich bird life among the trees. The embroidered great blue herons, painted buntings, and summer tanagers on their blouses would win all the blue ribbons at county fairs, in my opinion.

Example of modern-day designs.

Try embroidering this bird of paradise (an actual bird for which the plant is named!) Download a free pattern here. Bird of Paradise pattern 

The “House of Birds” in Guatemala also produces many of the beaded items we offer, among them hummingbirds and owls. 

Here is Mercedes at her craft, stringing beads to create the bright hummingbird ornaments.

Order beaded hummingbirds here

South Africans are equally skilled with beads, although the style is significantly different. They usually combine wire and beads, while the Guatemalans use thread to string beads for their figurines. Compare this unique hoopoe bead birdie which strikingly resembles the real deal. Their name mimics their call: “oop-oop”. 

Order this unmistakeable ornament here: hoopoe

In contrast, our patchwork Gooney bird from Thailand is a playful rendition of the black-footed albatross. Gooney is its informal name. (You can pick different colors and order one to hang on your doorknob right here.)

 During World War 2 the aircraft C-47 was nicknamed the “Gooney Bird” due to its similarity to the giant albatross in size and shape. The plane's role in supporting operations has been described as vital to the Allied victory. 

So, if it is FEATHERS that make the bird, what makes me a birder?  Birders are amateurs. We enthusiastically engage in the study of birds for the love of it, without calling it a profession. Yet. 

Diego was a baby when his dad was kidnapped during Guatemala’s thirty-year-long civil war.

They never heard from him again.

Little Diego had to do his part to help the family survive without the income and protection of a father. His work was to collect firewood from the forested slopes of the Atitlan volcano bordering their village.

What kind of a future can a young boy imagine for himself in such traumatic and desperate circumstances?

(Put on his sandals for a moment: what are your chances of "pulling yourself up by your bootstraps"?)

Diego’s new destiny was set in motion when he found a job at an American jewelry workshop down the street from his house. Still just a teenager, he learned the craft of turning seed beads into stunning fashion accessories. After working there for eight years, he ventured out on his own, making jewelry at home. He’d walk down to the docks and peddle his creations to tourists as they stepped off the boats.

That was his first bold move on the path upwards.

His integrity and talent were soon recognized by foreign buyers. Unique Batik made his acquaintance almost a decade ago and has happily kept him busy ever since. Today he employs 35 of his people, the Tjutujil of Santiago Atitlan, as well as a few family members.

He says his art is his passion...

and his happiness is beads!

These days orders arrive from as far away as Canada. Quite often he is commissioned by interest groups to set their logos in a brooch or pin. This requires time and effort to get the colors just right, but the results are strikingly satisfying.

What Diego likes best about his job is the moment an order is shipped and he receives his payment. Ka-ching! (Don’t we all?) It’s not just he and his 75-year-old mother who is thriving. The blessing extends to all 35 households involved in filling orders.

Yes, he pulled himself up, one strand of beads at a time. His current goal is to open a boutique studio on the main street of his town, where his creations will be on elegant display.

We salute you, Diego!

Check out samples of Diego’s popular creations below:

  Kensington Crystal bracelet

Savannah Three Strands Necklace           

Beaded Pen Case

Hummingbird Earrings

Moonflower Earrings

As a little girl, Carmelita could only dream of learning to read and write. One of fourteen children, she had responsibilities in the household from an early age. She took care of younger siblings and sold handicrafts to tourists on the streets. There were no resources, time, or hope for sending her to school. Watching her dream for education slowly fade as she grew up, she hoped that her own children one day would be afforded the opportunity.

Next generation

When she was old enough, her sister taught her how to weave seed beads into jewelry. Her skills and dedication paid off as she successfully traded these delicate creations in the subsequent years. So much so, that she has been able to support all six of her children through high school! Seeing them established in the professional careers they studied for is her pride and joy.

Serendipity

A kind foreigner whom she met while selling on the street one day, heard of her childhood dream and connected her with a tutor. This is how, at age 33, Carmelita was finally taught to read and write. This experience emboldened her to enroll in primary school, and eventually, she finished sixth grade along with the twelve-year-old students.

Rainbows, flowers, trees

Inspired by the dramatic beauty and vivid colors of nature around her Guatemalan village, she designs and crafts intricate pieces, which you can view and buy here: bracelets, rings, chokers, badge holders, and eyeglass holders. What she appreciates about modern times are the technological advances that made communication much easier between her and the customers. Because Carmelita delights in getting orders and filling them on time! Finding the right colors for specific orders is sometimes a challenge. A challenge she doggedly accepts. She says her husband is her greatest support.

Faith seeds

And now Carmelita has a new dream: she wants to buy a car. Reality check: the percentage of car owners in Guatemala’s population is the same as the percentage of the US population who do not own cars (8%). In other words, this is a big ambition! Her children smile and tease her, but she has seen a few preposterous dreams dusted off and come to life already. The little seed beads strung into jewelry are called “mostacillas”, a word related to “mostaza”, which is Spanish for “mustard.” This reminds me of the familiar “faith like a mustard seed” challenge. With her sincere and indefatigable trust, I daresay she will yet see mountains move!

Plastic. The woven kind, standing tall among the reusable choices of our day. Not mass-manufactured, but individually plaited by the delicate fingers of a family I’ve known for two decades.

Come With Me

First, you need to endure several hours of winding mountain road travel in a crowded minibus from Guatemala City (the subject of another story, another day).

Next, you ascend a precariously steep cement staircase of 144 irregular steps to arrive at our friends’ house in a hamlet clinging to the vertical sides of the San Francisco River Valley. If you still have breath in your lungs at this altitude, you’ll soon lose it to the priceless views of Lake Atitlan from here! (Where in the world?)

Stringed Instruments

Our host comes to the gate to welcome us with a big smile. The walls are hung with loops of colorful plastic wire. Baskets in various stages of completion are sitting on the kitchen table amid open school books. Wooden frames in different sizes are stacked on top of the pantry cabinet. Chickens cluck in their pens and a pot of black beans is gurgling on the wood stove. This, right here, is where the magic happens.

Luisa, her soft-spoken husband, and their six beautiful daughters (among them a set of twins) are all involved in the family business. He is a mason by trade and the girls are all in school, but everyone joins in weaving baskets when they have extra time. You can sense this Mayan family’s pride in their handiwork and shared excitement when an order comes in from Unique Batik. They are happy to show us how it’s done: each tight wound of the string around the rugged wooden pegs, in and out, over and under, culminating in symphonies of color.

Big baskets take her two days to finish, and the smaller ones are a full day’s work. (Here “hand” is put back in hand-crafted!) Once a week she totes (the pun intended) a collection of her baskets to the local market, where she trades on the sidewalk. The orders for baskets to export come periodically, and they are made the same way and with the same dedication. One by one.

Pack up your Troubles in a Handy Tote and Smile, Smile, Smile

These woven baskets are ubiquitous in Guatemala and I have an assortment myself! In my opinion, they are the most practical option for produce shopping at the farmer’s market, packing a picnic, and transporting or storing all my general and specific paraphernalia. They are durable, easy to clean, and they are just plain pretty.

Our short visit has brought smiles to all. We leave with several purchases, full hearts, and an unforgettable story to share.

That's why I say, choose plastic. Choose Luisa's canastas.*   HERE.

* “Canasta” is what they call a basket in Spanish, from Latin “canistrum”, which originated from earlier usages of “kanna” for “reed”. (You may know a fun card game by that name too.)

Want to explore more about our Guatemalan artisans? Look here: Unique Batik Artisans

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Earlier this year, when the COVID-19 pandemic reached America, thousands of people had trouble getting face masks. There simply weren’t enough to keep everyone safe and healthy.

Beginning in March, we’re pleased to say, Unique Batik took action to address this problem. Working in tandem with skilled artisans and longtime retail customers, we were able to produce thousands of masks — and to make them freely available.

In Guatemala, for instance, artisans created soft, colorful masks from traditional corte fabric. In Thailand, artisans made beautiful tie-dyed masks.

We donated many of these masks to nonprofit organizations, and several of our retailers did the same, or facilitated the donation process. Here are some inspiring examples of fair-trade stores doing their part:

The Bridge (Holland, Michigan)

Volunteers bought masks and sent them to the Navaho Nation, a coronavirus hotspot with an infection rate among the highest in the country. Now, thanks to contract tracing, social distancing, and a mask mandate, the Nation has almost completely eliminated new infections.

Blue Heron Design (Lee’s Summit, Missouri)

Blue Heron gave masks away for free. With donations from its customers, the store raised almost $3,500 for four local organizations: Hope House, Lee’s Summit Social Services, Black Waters Market Food Pantry, and the Humane Society Animal Shelter (which received masks with a cat print). “I’m proud of our customers,” says owner Peggy Brown, “and humbled by their generosity.”

Mosaic Fair Trade Collection (Eugene, Oregon)

Mosaic helped customers donate masks to the Navajo Nation. For more information about the Nation and its response to COVID-19, click here.

Thanks to everybody who has helped us get masks to the people who need them!

When you buy a face mask from Unique Batik, you’re helping talented artisans, like Laura and Francisco, who've been hit hard by the coronavirus pandemic.

One of the universal truths in this world is wherever you go in the world you will find people just want to provide a good life for their families. At Unique Batik, we strive to present opportunities for the families and communities we work with to do just that.

We also know our work is only one avenue of support, so we believe in advocating for organizations doing life changing and life saving work on the ground in these communities. One of our favorite such organizations in Guatemala is ODIM (Organization for the Development of the Indigenous Maya). ODIM was founded in 2005, initially beginning its work by supplying humanitarian relief for the people of Guatemala after being devastated by Hurricane Stan.

In 2008 construction began for ODIM’s San Juan Clinic (Clinica Sanjuanerita), and in 2014 the San Pablo Clinic (Clinica Chuitinamit) was opened. One of the greatest things about these clinics is that they are staffed by bilingual Spanish/Tz’utujil speaking nurses and a local physician, and of their 42 staff members 82% are Tz’utujil Mayan staff, 13% are Guatemalan (but not Tz’utujil), and only 5% are foreign staff. Another bonus: 83% of ODIM’s leaders and coordinators are women! 

Since ODIMs conception its staff has worked hard to raise funds to implement and maintain an array of incredible programs:

• Healthy Mommy & Me utilizes healthcare, informational sessions, cooking classes, food vouchers, psychological support groups, and medical appointments to combat chronic malnutrition.

• Adolescent Health is designed to equip youth with knowledge about puberty, sexuality, contraception, and gender equality to empower them to make sensible decisions for themselves and become peer educators in their communities.

                               

• Let’s Walk Together provides education, exercise, cooking classes and support groups for those living with diabetes, which affects more than 25% of the indigenous population (to compare, the CDC’s 2020 report estimates 10.5% of the US population has diabetes).

• High Impact Home Improvement (HIHI) provides families with water filters and safe, smokeless, and environmentally friendly stoves in their homes, as well as informative workshops about Water, Sanitation & Hygiene (WASH).

ODIM provides medical care at their two clinics, their dental clinic Healthy Smiles, and goes above and beyond to address the root of issues in these communities. The importance of this simply cannot be overstated. While helping people to heal once they come to a clinic is certainly important work, having programs which assess and address the factors that lead to common issues is crucial to ensure the highest number of safe and healthy individuals. The fact that ODIM does both is truly impressive and heartwarming. 

These are just some examples of ODIM’s phenomenal programs. You can visit their website, www.odimguatemala.org, to learn more about all of the work they do, the communities they work in (San Juan and San Pablo La Laguna), and ways you can get involved. Thank you to all of the staff at ODIM for your tireless efforts to make your communities the best they can be. 

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As Unique Batik looks for nonprofit partners to support in the regions in which we work, one of the most important attributes we seek is sustainability. Will the organization be able to work effectively not only now, but in the future to make a long term impact instead of putting a temporary band-aid on the community’s problems? One of the most impressive things about Asociacion La Libertad, or ALAS, is that they have a sustainability plan to secure the organization's future. ALAS, a nonprofit organization based in Guatemala, coordinates educational development and more for the neglected populations of Guatemala.

Students in ALAS’ educational programs contribute to the plan by working while they attend school. To launch a new school in a remote area, La Libertad must ensure that they can support the minimum number of students required by the government.  Unique Batik has funded tuition for the seven qualified students needed to reach the minimum number required and start the new school.  Once the school is established, the students will help sustain it through their work.  Through this system, not only are they creating a future for the students who come after them, they are also empowered by knowing that they can contribute to the community.

After the brutal 36-year civil war ended in in 1996, 410 refugee families were repatriated to a remote zone of the highlands of Guatemala in the Zona Reina area, to the village now known as San Antonio de Nueva Esperanza, or “New Hope.” Reconstruction began and the vision of the village elders included establishing education as a foundation for future development. With the lowest literacy rate in Latin America, especially among rural, indigenous populations, education is of paramount importance to the development of the lives of the Guatemalan poor.

Fourteen years after the initial founding of La Libertad’s educational program, which seeks to provide formal education ranging from elementary school through college, the village of San Antonio de Nueva Esperanza and its neighbors have seen over 450 people complete their education through the ninth grade. Approximately fifty students participating in extended vocational training for computers and agriculture have gone on to study at the university level. Considering the odds against them -- on average, only one out of ten rural Guatemalans completes middle school -- these figures indicate the tremendous success of ALAS.

La Libertad continues to take on challenges, including the 2010 opening of the university satellite campus of the Mariano Gálvez University, the only one in all of the Zona Reina. With this, the original vision of extending local education from the middle school to university level has been brought to fruition, but sustaining this vision takes continuous work on the part of not only ALAS, but program participants. One benefit of local university classes is that it guarantees that local teachers who want to stay in Zona Reina and expand the educational system can achieve their own necessary education to lead and inspire future students.

Unique Batik is proud to partner with ALAS in providing educational opportunities for the people of Zona Reina and San Antonio Nueva Esperanza. Through the years, the community has shown its commitment to education and La Libertad has created a program that can achieve its goals sustainably, making the vision of the founding village elders a reality that will touch generations to come.

Once one of the most powerful civilizations in Central America, the Maya people remain an integral part of Guatemala. The rise of the Maya civilization began thousands of years ago and spread across what it now southern Mexico all the way to modern day Honduras. The Maya civilization lasted longer than any other Mesoamerican culture that came to power in the area, and as a result, traces of the culture remain very much alive even today.

Today, there are about six million Maya living in Central America. Although they have relatively modern lives, most still live a lifestyle that is distinct from that of Guatemalans descended from a European heritage. Instead of Spanish, the official language of Guatemala, most Maya speak primarily  indigenous languages, of which there are 22, each reflective of a disparate regional heritage. Because the Maya civilization was so widespread geographically, various dialects evolved into unique languages over time.

Many Maya women, in particular, may not speak fluent Spanish at all. Growing up in Maya households and, unfortunately, likely not to have attended school where the Spanish language would be taught, women and girls speak only their indigenous language. Only 48% of indigenous women are literate in Spanish. This language barrier contributes to many disadvantages including inequality in the labor force, limited access to adequate health care, and exclusion from the legal system. Unique Batik works primarily with indigenous women, seeking to create income and the possibility of an education for those who would otherwise have little to no opportunity.

A history of craftsmanship is still seen in the beautiful handicrafts of Maya people today. Although their work has evolved to take in new influences, assimilate them, and in some cases become something entirely new, a reflection of Mayan history remains in carving, painting, textiles, and more. Considering today’s prevalence of beaded jewelry, it may surprise many to learn that although weaving has been an integral part of Mayan culture for centuries, the introduction of small glass beads and the subsequent creation of woven beaded jewelry did not occur until quite recently. Since the introduction of the tiny glass bead, women in Guatemala have used their traditional weaving skills to create a wide range of jewelry designs, which have become quite popular in the marketplace.

Weaving holds a position of high importance in Maya culture, not only as a handicraft tradition,but as a religious and social tradition. Ixchel, goddess of the moon, has a special connection to women. She is represented with weaving implements in her headdress, and is said to have taught the first woman how to weave. The tradition is passed from woman to daughter, and has been for centuries. Weaving is a social activity, as well; with the portable backstrap loom, women can weave virtually anywhere. Historically, it is one of the only sources of income available primarily to women. Maya women take great pride in their weaving skills, as can be seen in the amazing textiles that come from the region.

At Unique Batik, we strive to sustain both ancient and new traditions of Mayan handicrafts through marketing these special products to buyers across the globe. Having spent many years traveling to Guatemala and the heart of the Maya culture, not only observing its beauty, but learning about it personally through friendships and long term partnerships with our artisans, we recognize both the beauty of the Maya peoples and the struggle that they face. Through fair trade, we hope to preserve the one and alleviate the other.